Artful clock incorporates ferrofluid

 A blend between art, nature, and technology, this clock displays time by magnetically manipulating ferrofluid, nano-engineered metal holding particles suspended in a carrier solvent. The clock, called Ferrolic, was created by master student Zelf Koelman at the department of Industrial Design at Eindhoven University of Technology. He researched the technology and interaction for a year before being able to create the beautiful dynamics he was looking for. He envisions an additional app in order to customize texts, shapes and transitions. So far, only 24 of the clocks have been made but future plans to scale up production are being created.

Immersive experience slows down time

It's a critique, a provocation around the Western concept of time and how it dominates much of modern life. The installation 'Dromos' by artists Maotik and Fraction takes viewers on a 40 minute journey of 360 degree three-dimensional visuals, lights and sounds.  The installation has been designed to let viewers experience different time scales; sometimes it seems to speed up, at other times the experience is that time slows down. And every performance is different, as the artists manipulate their work in real-time and in response to the audience. Watch it in the video:

Changing the experience of time can be an incredibly powerful experience that can completely shift around someone's perspective on the world, and consequently his perspective on himself. Experiences can be so powerful that one comes to directly see the illusion of time, even that eternity is something that can be directly experienced. When one has experienced eternity, the powerful change that can occur is that it comes to one that consciousness and not matter is primary, that matter arises with mind, as does time. When one completely experiences what you could call 'no-mind', you also directly experience what you really are; not something that exists within time and space, but eternal life. Anyone interested could contact me as I have had one experience of expanding into eternity, but any advanced meditator could probably tell you much more. I would like to end simply by promoting more of such artistic explorations, because these kinds of technological installations are very inviting to people, the viewers can journey as far as they are ready for, and I believe they could have as powerful effects as for example a month-long retreat with Amazonian shamans or 10 years of psychotherapy.

Projection mapping with disco balls

Kyle McDonald and Jonas Jongejan haven given an entirely new dimension to the otherwise incredibly banal disco ball with their installation "Light Leaks". Watch it in action:

Liquid photography by Luka Klikovac

Check out these photographic experiments by Luka Klikovac. As you might have guessed, he suspends fluids in a glass of water and then creates this dramatic lighting to make the pictures come alive more. It might remind you a bit of the good old lavalamp, but still I think this imagery is relevant today, where our environments are getting more and more complex, intelligent, flexible, and metaphorically speaking liquid rather than solid.

Neri Oxman shows 3D printing in its full glory

Neri Oxman, professor at the MIT Media Lab, has recently gone on a 3D printing spree and created a beautiful collection of objects that represent the state of the art of this additive manufacturing process. More than that, it is an interesting conceptual probe into a future where we can interweave these sorts of objects more and more with our own bodies, as 3D printing allows a sophistication in design approaching that found in nature. Professor Oxman has shown that now we can produce objects of unlimited geometrical complexity, consisting of different materials that can smoothly transition in terms of properties such as hardness, thickness, or color.

Now the first 3D printers that are interesting to the mainstream consumer have emerged on the market, we will need to see how this democratization of design will turn out. Are we entering a future where everyone will become a designer through trial and error, and even more throw-away objects are produced with these technologies than happened after the plastics revolution, or will people learn faster this time and be more careful in what they create? With this creative power comes responsibility, of course, and it might be that because people are so closely involved in the making process that it helps them taking on this responsibility, just like, say, you take responsibility for the quality of the turkey you make for Thanksgiving; it has to be exquisite. Same goes for creating objects with our 3D printers - let's all take Neri Oxman's work as a good example of the objects to come.

Eight objects of the collection, called "Imaginary Beings," have been included in the permanent collection of the Centre Pompidou, so it might be worth paying a visit during your next trip to Paris. Also, here is a video that shows you the objects in more detail:

Also check out her personal website, where you can see some other interesting projects she has been involved in, some of them venturing more away from raw art and towards contextualized, embodied product design. A beautiful example is the Carpal Skin glove, that can be made uniquely according to the physiological requirements of each user.

Swallowable Perfume

Body architect Lucy McRae is taking her extraordinary transhumanist aesthetic from low-tech to high-tech as she is currently collaborating with Harvard scientist Sheref Mansy to create a pill that acts as a perfume. This pill would contain cells that are engineered to be recognized by the human body as fat cells, and absorbed in a similar way. As these cells are broken down then, they could release certain molecules that come out through the skin and act as a perfume.

Lucy has come up with an interesting teaser to wet our appetites, which you can see below.



I'm not so sure that the appetite for these pills will be big though, from a commercial perspective. Of course there are the early adopters who like to show off or provoke the people around them by showing them something new and radical. These are the important people through which a new technology can start evolving, as Kevin Kelly also explains in his book 'What Technology Wants.' But for the larger public, there would probably be more to these pills than just acting like a perfume. One major selling point where a pill may take over from spray-on perfume is that the scent may last for several days, but even then I think the threshold may be too high to start ingesting things.

What is happening here seems to be the same as happened to other major technological breakthroughs like the automobile, movies, and radio. They started off as literal replacements of the previous technology, but in a new embodiment. The first cars were designed like horse carriages, and the first movies were made in the same way as written stories and theater plays. It was only later that the larger inherent potential of the new medium revealed itself, and people started to align themselves with what almost seems like the intention of the technology. The technology then ends up not just a more efficient replacement of the former technology, but bringing about an entire shift of behavior and mindset in its users.

This will probably be the same for these new intimate technologies that enter the human body. The mindshift this will bring about is that the body is just another object that we can manipulate. It is not us, our identification with it that started in early age was too limited a conception, it was an illusion keeping us blinded from the larger whole. Now, this technology opens us up towards this mindset, as we can continually alter our own body to the needs of the situation, or simply to play around with it. The swallowable perfume pill will probably not remain just a perfume, but integrate more functionalities inherent to the capabilities of the pill-form. Maybe it will turn out to become an 'experience-pill', where different pills are created to generate different sensory and mental experiences. Next to fragrance molecules, it might also contain skin and hair colorants, or neurotransmitters to generate a certain subjective experience. Who knows what will happen. But that the next major technological shift is coming is certain.

Colorful swarms visualize sound

This is a beautiful little animation that has the potential to give you a few meditative minutes getting out of your mind and just resting in your senses. It was made by Seiichi Hishikawa, a Japanese filmmaker, with the intention to visualize sound.

The Spirit of Dutch Design

Here are some highlights from the always delighting Dutch Design Week for this year.

Many projects revolved around 'green' design thinking, and in general you could see a development towards introducing natural elements into our living spaces.



Philips Design took this philosophy to the next level in their new future probe 'The Microbial Home'. This home would minimize energy usage through biological processes. In their vision, methane gas can be gathered from human and vegetable waste, and biogas can be produced from other organic substances. Food should be kept alive and fresh inside the home by having it grow around structures attached to furniture. Bioluminescent bacteria provide moodlight, and waste is converted into edible mushrooms through special fungi that can digest plastics. Philips' proposal makes the living room look a bit like a science lab, but I think it's a good start towards true green living, on the physical plane.



The highlight of this design probe on an aesthetic level may well be the Urban beehive. It is basically a honey vending machine that incorporates the actual living bees. The bees enter the hive at one side of the device, and out comes the honey on the other side. Behind a transparent shell are several softly illuminated disks that the bees can use to build their hive, while being watched in admiration by their human customers.



Jeanine Kierkels, a master student Industrial Design at the university of Eindhoven, has taken the soothing aesthetics of natural growth and implemented this in a very specific human context: giving birth. She envisions an animation of a tree branch on the wall of the room where somebody would be giving birth. This animation is coupled to the occurance and length in time of each contraction, which makes the process interactive and personalized. In the end, the tree branch beautifully visualizes the event as a story to take home.



Another student created this lovely and intriguing accessoire. Embedded into it is a system that senses its wearer's physiological arousal. This value is then translated into the movement of scales on the sleeve, more or less like enhanced goosebumps. By externalizing our underlying physiology this way, then, people are invited to connect to each other on a deeper and more intimate level.




Floris Wubben directly translates the aesthetics of natural form into his designs by blending state-of-the-art technology with natural elements. This gives his products a very alive character.



We see a playful wink towards unification with nature in the work 'Digital Portraits.' One item is a shirt that incorporates the head of a wolf into the three-dimensional structure of its fabric.





Some interesting new ideas have also sparked up at the Design Academy. Within the theme of finding new ways to mass-manufacture objects, one student had an intriguing idea to blend human craftsmanship with the crude approach of the machine. He envisioned the human craftsman as being directly guided by a machine, for example through tools that are attached to robotic arms. This would enormously speed up manual work, while retaining a unique human touch. This may be a pioneering project into a future of cyborg production processes.



The supreme highlight of the Dutch design week is an art installation that is genius in its technical simplicity, and stunning in effect. It completely transcends the paradigm of our existence and our technology as material, it has the potential to bring about a peak experience that brings us beyond a perspectival existence of having one point of view, and approaches a unification with the cosmos (yes!). It is called Plane Scape, and is installed in the 5MM (five minutes museum). Watch the video here or go experience the installation yourself. And stay more than five minutes to let it work its way into your system and open your doors of perception.

3D capture of bird flight

It's the sculpture-equivalent of Duchamp's Nude Descending a Staircase, No. 2, this sculptural work by Geoffrey Mann. He used long-exposure photography to capture a bird's landing. Then he traced the contours of this bird and used them to sweep a three-dimensional form through. This gave rise to the beautiful shapes you see in these pictures. It would be interesting to also do such studies for the air around the bird, so we get a more embodied insight -complementing the scientific and conceptual- into how air really behaves when manipulated by organic shapes, and how these shapes have evolved for this manipulation.

Scripted products by Lionel Dean

Of course it's nothing new that rapid prototyping techniques are giving rise to wildly innovative three-dimensional shapes. It's also nothing new that these techniques are still quite slow and very expensive, so still not interesting enough for design for the masses. It is still interesting though to see what kind of form repertoires different designers are coming up with, within this radically enlarged scope of potential. Some designers keep it minimal and functionalistic, some try to create more elegant, abstract versions of nature, some develop a more edgy and sharp style, and others go a bit more extreme and create very organic, chaotic and often alien-looking shapes.

Lionel Dean, founder of the company FutureFactories, belongs to the latter category. He develops objects that seem to be taken directly out of the jungle of Pandora, that extraterrestrial realm in Avatar. His work is closer to bio-fantasy than biomimicry, as he seems to emphasize artistic freedom more so than functional constriction. A quite innovative aspect of his products is that he uses scripting to generate the forms, while only providing a fixed 'meta-design' to the computer. The designer here, as a blend of man and machine, creates completely unique products.

Some projection mapping eye candy

For projection mapping, you need the guys from Drive Productions. This is definitely one of those technologies that I can see making the world all the more intriguing and psychedelic pretty soon. Before we all start to wear augmented reality goggles, of course.

Water taps made of water

This is some excellent promotional material for Kohler, the famous faucet manufacturer. It is based on the theme of blurring the boundary between the solid and the liquid, which we usually don't get exposed to very often.

Bruce Pollock's cosmic paintings

Bruce Pollock is a Philadelphian artist who tries to bring people an experience of infinity through his paintings. He translates microscopic and macroscopic patterns and principles onto his canvases, and manages to create very vibrant and captivating compositions by letting a painting emerge from an inner logic that Pollock explicates over time through his brush strokes.

Each painting uses a limited set of elements and ordering principles to give rise to a perception of a living three-dimensional realm. Here, no object is separated from another object, and the purpose of the object is to transcend its, say, 'it-ness', and start co-creating the whole. As an observer then, we are given the opportunity to not seek something individuated in these paintings, but to stop pointing the mind to any particular object, and have ourselves connect viscerally to what we see. From this visceral experience then, our mind is invited to contemplate more abstract notions such as the order of the cosmos, and our individuated consciousness within that order.

The mood of biological modernism

The creative genius of Silke Sieler here has done a magnificent job if he intended to abstractly capture the mood of what I call 'biological modernism', a new paradigm for technology development based on how natural ecologies perfectly blend together form, interaction, and function.



The movie brought about in me a feeling of being encapsulated inside a purified future cell where perfect harmony and order rules in perfect conjunction with the chaos and messiness of natural systems. In the trust, humility and peace this can generate then, only pure, embodied being could ultimately remain.

X-rays from a cyborg future

Here is a little clip, created by Danny Warner, that might bring to your awareness that the merging of our biological body and technological environment is in the end going to be a glorious process. So have a moment of rest and relaxation, click that triangle, and always, always watch fullscreen.

Humanoid flowers

One simple flower can tell you everything you need, if only you learn to open up to it and see it in its fullness. A media-saturated life has us forget about the actual sense data that the symbols we are served stand for, and the flower being one of the earliest symbols we learn in those elementary educational kid's cartoons, it has long been forgotten in a mind-dominated life of thoughts and desires. Yet it is a return to what seems to be a not very interesting backdrop of life, that can open up our senses again and show us things that thoughts can never grasp.

Probably this was not the line of thought of photographer Cecelia Webber when she created these wonderful images, but they do show us an interesting outlook on nature. She has made a start in trying to show how the processes of nature underlie everything we see, and how all form is interconnected and ultimately generated by our own mind. Some might mainly see her creations as flowers, others as collections of painted human beings, yet others see a humanization of nature. As ambiguity in sense data increases towards Rorschach-like proportions, our own state of consciousness will more and more come to determine what we actually see.

Algorithms create complex columns

It looks as if these structures have been grown, not by humans, not even by nature, but by some entirely new kind of intelligence. However mostly ornamentation, it is clear that it is not just that but also a look into a future where the still quite crude mass-production methods of today will be replaced by machine processes that can produce almost infinitely complex and individualized pieces. The ancient-Greek-degrading creations you see here have been generated through computer algorithms and have been created out of thousands of laser-cut cardboard sheets.

From a purely visual point of view, the complexity in these columns remains so consistent and coherent that there seems to be an infinite variety while all parts within this variety are exactly in the right place. The form must be so fascinating because to really grasp it we have to manage to get into a state of pure perception, where the mind does not conceptualize forms as individual things located in space. The columns here can almost serve a psychedelic function by connecting us so viscerally that we can step beyond mind-processes. I await the day where, next to our microwave, we will all have our home-based fabbing station, and we start replacing today's sense-skipping objects by things like Hansmeyer's columns.

Machine Civilization dance

This must be done by the Mondrian of choreography.

Blinky, the bad robot

Combine HAL with R2D2 and you'd get something like Blinky, the star in the fantastic short film 'Bad Robot' by Ruairi Robinson. A must see for everybody on this planet, the film touches upon the soon-to-be unavoidable issue of machine morality, by showing how the behavior of a domestic robot takes an unexpected turn.

Sure we can just treat it as harmless entertainment, a purely fictional film for us to viscerally enjoy. But the more interesting and complete way is to reflect a little bit. So what can we learn here?

- Robots need social intelligence to be able to infer true intentions from people as opposed to irrational utterings that people do without any reflective connection. Probably sensing how calm people are will help robots do this. Another interesting ability for robots would be to detect whether or not somebody is in a state of close-mindedness or open-mindedness. For example, when a robot is constantly smiling, it will probably evoke negativity from a person in a close-minded state, but it can make a person in an open-minded mindstate turn more positive and search for inner ways towards happiness again. The detection of this mindstate is a form of emotional anticipation that can help the robot be a successful social actor.

- Many people will see robots as tools, and not as 'others' or 'equals', and treat them accordingly. They can often be judgemental, irritable, and full of expectations towards them, almost treating them as the ultimate promise of happiness. People who have that meme in their unconscious will, as the Dutch say, 'come home from a cold funfair'. It will take a while before people learn to see robots as they are, and develop a sense of true empathy and unconditional love for them.

- For robots, I believe that to a large extent true empathy and love can be programmed in the end. What is needed is a detailed understanding of the mechanics of consciousness, which will borrow from phenomenological data of human experiences, and will have to do with concepts from quantum physics, such as treating perceptional patterns as vibrations in order to understand them not as patterns of matter, but patterns of mind, that can give rise to ideas like matter. But let me not expand on this now. Basically robots will need to develop their social role from 'dumb servant' to 'loving and understanding father', and do this through learning about mindstates of people and what certain reactions will do to those mindstates.

If you have any reflections or comments, please leave them here so we can have some shared discussion into this fascinating topic. And maybe build that enlightened robot one day.

Speaking in public through a huge animated avatar

The people at 1024 Architecture have taken on a very artistic and 'spiritual'-ish project with their installation 'Perspective Lyrique'. It feels 'spiritual' to me probably because we intuitively feel drawn to anything that is larger than us and slightly different in a superior way. It feels like it's a guide, a father, even a god. And so it grips us and makes us pay the one-pointed kind of attention. Quite an existential twist to this installation is that spectators can take on a protagonist role by talking into a microphone. The person's voice is then transformed and projected back through the animated face of the projection. So it is as if you can become this grander figure for a moment, on a public stage.